Jens Christian Grøndahl, Ivan Toergenjev, Lloyd Haft, Erika Mann, Jan Decker, Roger McGough, Anne Sexton, Mohammed Iqbal, Michael Derrick Hudson

De Deense schrijver Jens Christian Grøndahl werd geboren in Lyngby op 9 november 1959. Zie ook alle tags voor Jens Christian Grøndahl op dit blog.

Uit: Often I Am Happy

“Now your husband is also dead, Anna. Your husband, our husband. I would have liked him to lie next to you, but you have neighbors, a lawyer and a lady who was buried a couple of years ago. The lawyer had been around for a long time when you joined them. I found a vacant plot for Georg on the next row; the back of his stone is visible from your grave. I opted for limestone, although the stonemason said it wouldn’t be weatherproof. So what? I don’t like granite. The twins would have liked granite—on this point they agreed for once. Granite is too heavy, and our Georg had been complaining about this weight on his chest. We should have taken it more seriously, but he shrugged it off. At first he moaned, and when you wanted to share his concern you were brushed aside. Georg was like that.
He collapsed in the shower. I knew right away that something was wrong, or only now I think I knew it. He groaned and it felt anomalous to maneuver his heavy, wet body. He was still conscious as I got him to bed. When the ambulance came, it was all over. He looked like himself, older but still nice enough. His belly was less protruding when he was lying on his back. You never saw him that way, but seventy-eight is nothing, really, don’t you agree? Or seventy, for that matter. It could have been you who found him on the tiles under the jet of hot water. Normally, it would have been you. Can you say that? He always stayed out there for so long. He might easily have remained standing if his coronary artery had not burst. It could have been your life continuing just like that. Where would I have been, in your life? Where would I have been in mine? I caressed him as we were waiting for the ambulance to come, but I don’t know if he felt anything. At some point as I sat with him, there was no longer anything to feel. I realized it later. He could not feel my touch, as if I were the one who was suddenly absent. His absence felt like a lump growing inside me, making me suffocate. I never felt so alone. One is used to reality responding or just resounding with whatever one thinks or feels. Death shuts up the living; the real is our enemy in the long run.
The day after the funeral, I biked to the cemetery again. I took a couple of the sprays and put them in front of your headstone. Otherwise, I have brought you flowers only when it was your birthday. The first years I came quite often, mostly alone. Georg didn’t like to come along, and in the end I’d stopped telling him that I had been at your grave. At that time, it had been ages since I’d stopped asking him why he wouldn’t come. I don’t think he ever forgave you completely, but even that he probably wouldn’t have wanted to admit, had I asked him. I might have construed his answer in the sense that I had not been fully capable of filling your place. He was so considerate, and I think he had come to be really fond of me. The years passed, mind you, and in the end we belonged together, simply because we lived side by side. We underestimate the power of habit while we’re young, and we underestimate the grace of it. Strange word, but there it is.”

Jens Christian Grøndahl (Lyngby, 9 november 1959)


De Russische schrijver Ivan Sergejevitsj Toergenjev werd geboren op 9 november 1818 in Orjol, in de Oekraïne. Zie ook alle tags voor Ivan Toergenjev op dit blog.

Uit: The District Doctor (Vertaald door Constance Garnett)

“One day in autumn on my way back from a remote part of the country I caught cold and fell ill. Fortunately the fever attacked me in the district town at the inn; I sent for the doctor. In half-an-hour the district doctor appeared, a thin, dark-haired man of middle height. He prescribed me the usual sudorific, ordered a mustard-plaster to be put on, very deftly slid a five-rouble note up his sleeve, coughing drily and looking away as he did so, and then was getting up to go home, but somehow fell into talk and remained. I was exhausted with feverishness; I foresaw a sleepless night, and was glad of a little chat with a pleasant companion. Tea was served. My doctor began to converse freely. He was a sensible fellow, and expressed himself with vigour and some humour. Queer things happen in the world: you may live a long while with some people, and be on friendly terms with them, and never once speak openly with them from your soul; with others you have scarcely time to get acquainted, and all at once you are pouring out to him — or he to you — all your secrets, as though you were at confession. I don’t know how I gained the confidence of my new friend — any way, with nothing to lead up to it, he told me a rather curious incident; and here I will report his tale for the information of the indulgent reader. I will try to tell it in the doctor’s own words.
‘You don’t happen to know,’ he began in a weak and quavering voice (the common result of the use of unmixed Berezov snuff); ‘you don’t happen to know the judge here, Mylov, Pavel Lukitch? . . . You don’t know him? . . . Well, it’s all the same.’ (He cleared his throat and rubbed his eyes.) ‘Well, you see, the thing happened, to tell you exactly without mistake, in Lent, at the very time of the thaws. I was sitting at his house — our judge’s, you know — playing preference. Our judge is a good fellow, and fond of playing preference. Suddenly’ (the doctor made frequent use of this word, suddenly) ‘they tell me, “There’s a servant asking for you.” I say, “What does he want?” They say, “He has brought a note — it must be from a patient.” “Give me the note,” I say. So it is from a patient — well and good — you understand — it’s our bread and butter. . . . But this is how it was: a lady, a widow, writes to me; she says, “My daughter is dying. Come, for God’s sake!” she says; “and the horses have been sent for you.” watercourses, and the dyke had suddenly burst there — that was the worst of it! However, I arrived at last. It was a little thatched house. There was a light in the windows; that meant they expected me. I was met by an old lady, very venerable, in a cap. “Save her!” she says; “she is dying.” I say, “Pray don’t distress yourself — Where is the invalid?” “Come this way.” I see a clean little room, a lamp in the corner; on the bed a girl of twenty, unconscious. She was in a burning heat, and breathing heavily — it was fever. There were two other girls, her sisters, scared and in tears. “Yesterday,” they tell me, “she was perfectly well and had a good appetite; this morning she complained of her head, and this evening, suddenly, you see, like this.” I say again: “Pray don’t be uneasy.” It’s a doctor’s duty, you know — and I went up to her and bled her, told them to put on a mustard-plaster, and prescribed a mixture. Meantime I looked at her; I looked at her, you know — there, by God! I had never seen such a face! — she was a beauty, in a word! I felt quite shaken with pity.”

Ivan Toergenjev (9 november 1818 – 3 september 1883)


De Nederlandstalige dichter, vertaler en sinoloog Lloyd Lewis Haft werd geboren in Sheboygan, Wisconsin, op 9 november 1946. Zie ook alle tags voor Lloyd Haft op dit blog.

Zigeunerspies (Leidse Hout)

Vergis je niet, mijn hart is geen berg,
geen machtige vermeerdering
van eens geworden afgescheidenheid:

Mijn hart is een levend weefsel
als een rauwe biefstuk zo groot,

Zo’n ding doet pijn als kolen,
en sintels, en losse rode bladeren
op alle paden branden die ik ken-

als ook de bomen, onverbloemd,
mij levend in hun leegte laten zien.


Hagel (Peking)

Het kan zo plotseling gebeuren:
zo’n hemelvol stenen
uit water geworden.

Komt het door meren in ’t zuiden,
woestijnen in ’t westen?
Zoek geen verklaring op aarde, want

dit is de werkelijkheid.
Ieder mens heeft dan ook
een masker voor. Kalm, geduldig,

verre boven de hoeken
der tienduizend straten, staat
één witte bus doodstil.

Lloyd Haft (Sheboygan, 9 november 1946)


De Duitse schrijfster Erika Mann werd geboren op 9 november 1905 in München als oudste dochter van de Duitse schrijver Thomas Mann. Zie ook alle tags voor Erika Mann op dit blog.

Uit: Wenn die Lichter ausgehen

«770 841 Industriearbeiter», bellte die Stimme aus dem Radio. Der Gast, dem man anstelle von Eiern den Völkischen Beobachter angeboten hatte, stand auf, streckte sich, gähnte und sah auf die Uhr.
«Eineinhalb Stunden», meinte er, «und noch kein einziges Wort über unsere Brüder im Sudetenland.» Was ist denn das, fragte sich der Fremde. Keiner hier scheint sich besonders zu begeistern. Eine sture Bande, diese Bayern, ein dickköpfiges, nachdenkliches Volk; sie lassen sich ihre Begeisterung nicht anmerken. In einer Ecke nahe beim Ofen saß ein kleines Mädchen und schrieb etwas auf. «Morgen hat sie eine Klassenarbeit», sagte der Wirt. «Also muß sie sich Notizen machen und sie auswendig lernen. Sonst bekommt sie eine Strafe.» «Wie viele Industriearbeiter waren das?» fragte das Kind. Niemand antwortete. Der Fremde hörte sich die Rede bis zum Schluß an. Auch als der wütende Führer geendet hatte und das Horst-Wessel-Lied verklungen war, blieb er sitzen. Er wollte sehen, welche Wirkung die Rede gehabt hatte, und er wollte mit dem Wirt reden, der wie ein freundlicher Mensch aussah. Der buschige Schnurrbart hätte einem Seehund zur Ehre gereicht, aber die klaren Augen in seinem kräftigroten Gesicht sprachen eine lebhafte Sprache. Doch er war kein gesprächiger Mensch. Auch an den Tischen wurde wenig geredet. Niemand erwähnte die Rede des Führers. «Hast du die Kirchenbanner gesehen?» fragte eine Frau ihren, ann. «Ich habe mindestens acht gezählt, allein fünf in der Bärenstraße.» Ihr Mann nickte. Ein verstohlenes Grinsen huschte über sein Gesicht. «So eine Unverfrorenheit!» sagte er. «Kirchenbanner hinzuhängen, wo es ausdrücklich verboten ist!» Zur Bekräftigung schlug er mit der Aachen Hand auf den Tisch. Dennoch hatte der Fremde den Eindruck, daß der Mann sich freute. «Eine ausgemachte Unverschämtheit», wiederholte er und warf dem Wirt einen fröhlichen Blick zu. Minuten vergingen, und die Gäste verließen nach und nach das Lokal. Der Fremde wartete gespannt auf alles, was er noch aufschnappen konnte, und blieb. «Wie viele Einwohner hat diese Stadt?» fragte er den Wirt und hoffte auf ein Gespräch. «120 nee», sagte der Wirt «Aber jede fünfte Familie hat kein eigenes Heim. Wir haben wenige Häuser und viele Mietskasernen. Macht ja nichts», fügte er rasch hinzu, als der Fremde die Stirn runzelte. «Es ist auch nur vorübergehend, bis wir die Wiederbewaffnung abgeschlossen haben. Natürlich hat die Waffenindustrie im Augenblick Vorrang. Erst kommt die Politik, dann das Privatleben.» «Jede fünfte Familie?» fragte der Fremde. «Woher wissen Sie das so genau?» Der Wirt lehnte sich mit seinem kräftigen Körper noch weiter über den Tresen. Nun, sein eigener, bereits verheirateter Sohn wohne noch hier im Haus; weil er keine eigene Wohnung bekommen könne.”

Erika Mann (9 november 1905 – 27 augustus 1969)


De Duitse schrijver Jan Decker werd geboren op 9 november 1977 in Kassel. Zie ook alle tags voor Jan Decker op dit blog.

Uit: Der lange Schlummer

“Als ich aus dem Rasthof heraustrat, fiel mir erst das höllische Getöse auf, das ich vor der Mahlzeit im Halbschlummer überhört haben musste. Sonderbare Vehikel, ganz ohne Pferde angetrieben, rasten mit Getöse und ungekannter Geschwindigkeit in einem fort auf einem breiten Verkehrsweg an mir vorbei. Sie schienen moderne Kutschen zu sein, doch ganz aus Metall. Ich hielt mir die Ohren zu, nur irgendwann brauchte ich meine Hände wieder, spätestens bei der Verrichtung der nächsten Notdurft. Hier in Thüringen, wo ich einst die schönste Naturstille genossen hatte, musste ich nun mit diesem infernalischen Krach haushalten. Dies gelang mir, indem ich störrischer Esel auf dem Seitenstreifen in Richtung Osten trottete, was mir der Stand der Sonne sagte, und dabei an die herrliche Bucht von Neapel dachte. Das war gar nicht klug, wie sich herausstellte. Ich zuckte nämlich bei jedem vorbeirasenden Geschoss zusammen, während diese hupten wie die Postkutschen, was den Beginn meines Spaziergangs zu einem ziemlichen Spießroutenlauf machte. Grob wusste ich, dass Gräfenroda zwischen Arnstadt und Gotha gelegen ist. An eine dieser beiden Städte wollte ich mich nun halten, um mein Quartier für die Nacht zu beziehen.
Du allein weißt, ob ich auf diesem Weg bis nach Sachsen gekommen wäre! Just da traf ich jedoch auf einen Russen, der mit einem riesenhaften Gefährt, das er Lastwagen nannte, auf dem Seitenstreifen haltgemacht hatte und eben ein rotes Dreieck aufstellte, das wohl Vorsicht gebieten sollte. Der gute Mann war völlig außer sich, an diesem unwirtlichen Ort einen Spaziergänger zu treffen. Er sagte immer wieder »Autobahn« zu mir, »hier Autobahn, nix laufen« – was in seinem krachenden Deutsch etwas kindisch klang, aber doch gut gemeint war. Mit den paar Brocken Russisch, die ich noch immer an mir trage, mahnte ich den guten Mann, er solle sich bloß um seine eigenen Sachen kümmern, mit mir sei alles in bester Ordnung.
Hier findest du einige Betrachtungen über die Verkehrswege der neuen Zeit, die mir sogleich in den Sinn kamen: Erstens scheinen mir diese mehr Rennstrecken als öffentliche Einrichtungen zu sein. So traf ich auf meinem ganzen Weg von Gräfenroda bis zur nächsten Ausfahrt keinen weiteren Spaziergänger an. Zweitens verleiten sie zu einer schrecklichen Hast, da ich die Fahrzeuge, wenn sie einmal an mir vorbeigestoben waren, nach einigen Sekunden bereits schon wieder aus den Augen verloren hatte. Höre, sie mussten noch am selben Tag zumindest bis Prag reisen können! Aber was hat man davon, wenn der ganze Weg übersprungen ist, der doch das eigentliche Lockmittel der Reise ist? Drittens gelangt man zu keinem Charakteristikum der Reisenden selbst, da sich diese in ihren Fahrzeugen zu verbergen scheinen. So reist man recht anonym in dieser modernen Welt herum, denke ich mir.”

Jan Decker (Kassel, 9 november 1977)


De Engelse dichter en schrijver Roger Joseph McGough werd geboren op 9 november 1937 in Litherland, Lancashire. Zie ook alle tags voorRoger McGough op dit blog.

The Sound Collector

A stranger called this morning
Dressed all in black and grey
Put every sound into a bag
And carried them away

The whistling of the kettle
The turning of the lock
The purring of the kitten
The ticking of the clock

The popping of the toaster
The crunching of the flakes
When you spread the marmalade
The scraping noise it makes

The hissing of the frying pan
The ticking of the grill
The bubbling of the bathtub
As it starts to fill

The drumming of the raindrops
On the windowpane
When you do the washing-up
The gurgle of the drain

The crying of the baby
The squeaking of the chair
The swishing of the curtain
The creaking of the stair

A stranger called this morning
He didn’t leave his name
Left us only silence
Life will never be the same


Kinetic Poem No.2

with love
give me your hand
some stranger
is fiction than truth

without love
I’m justa has
been away
too long in the tooth.

Roger McGough (Litherland, 9 november 1937)


De Engelse dichteres en schrijfster Anne Sexton werd geboren op 9 november 1928 in Newton, Massachusetts. Zie ook alle tags voor Anne Sexton op dit blog.

45 Mercy Street (Fragment)

Where did you go?
45 Mercy Street,
with great-grandmother
kneeling in her whale-bone corset
and praying gently but fiercely
to the wash basin,
at five A.M.
at noon
dozing in her wiggy rocker,
grandfather taking a nap in the pantry,
grandmother pushing the bell for the downstairs maid,
and Nana rocking Mother with an oversized flower
on her forehead to cover the curl
of when she was good and when she was…
And where she was begat
and in a generation
the third she will beget,
with the stranger’s seed blooming
into the flower called Horrid.

I walk in a yellow dress
and a white pocketbook stuffed with cigarettes,
enough pills, my wallet, my keys,
and being twenty-eight, or is it forty-five?
I walk. I walk.
I hold matches at street signs
for it is dark,
as dark as the leathery dead
and I have lost my green Ford,
my house in the suburbs,
two little kids
sucked up like pollen by the bee in me
and a husband
who has wiped off his eyes
in order not to see my inside out
and I am walking and looking
and this is no dream
just my oily life
where the people are alibis
and the street is unfindable for an
entire lifetime.

Anne Sexton (9 november 1928 – 4 oktober 1974)


De Indische dichter en schrijver Mohammed Iqbal werd geboren op 9 november 1877 in Sialkot in het tegenwoordige Pakistan. Zie ook alle tags voorMohammed Iqbal op dit blog.

The Withered Rose

O withered rose! How can I still call you a rose?
How can I call you the longing of nightingale’s heart?

Once the zephyr’s movement was your rocking cradle
In the garden’s expanse joyous rose was your name

The morning breeze acknowledged your benevolence
The garden was like perfumer’s tray by your presence

My weeping eye sheds dew on you
My desolate heart is concealed in your sorrow

You are a tiny picture of my destruction
You are the interpretation of my life’s dream

Like a flute to my reed-brake I narrate my story
Listen O rose! I complain about separations!



Perched on the branch of a tree
Was a nightingale sad and lonely

‘The night has drawn near’, He was thinking
‘I passed the day in flying around and feeding

How can I reach up to the nest
Darkness has enveloped everything’?

Hearing the nightingale wailing thus
A glow-worm lurking nearby spoke thus

‘With my heart and soul ready to help I am
Though only an insignificant insect I am

Never mind if the night is dark
I shall shed light if the way is dark

God has bestowed a torch on me
He has given a shining lamp to me

The good in the world only those are
Ready to be useful to others who are

Mohammed Iqbal (9 november 1877 – 21 april 1938)


Onafhankelijk van geboortedata

De Amerikaanse dichter en bibliothecaris Michael Derrick Hudson werd geboren in 1963 in Wabash, Indiana. Zie ook alle tags voor Michael Derrick Hudson op dit blog.


Baby Zach and the Winter Squash

It’s his favorite food, she told me, but I have no idea

what it is. Me neither, but it sounds very nutritious
and wholesome in an apocryphal

First Thanksgiving way:  The Legend of Squanto’s

Delicious Squash and how he had to beg a starving
bluejawed Pilgrim to try it, scowling

while he masticated with theological rectitude and
pigheaded paranoia despite the evidence

of toothless old women and dozens of drooling,

happy babies gumming down the stuff with gusto
in the prosperous Wampanoag village

slightly hazy from the cooking fires where baskets

bulged with corn and blueberries and raccoon pelts
hung everywhere until finally

the trespassing homespun homicidal grouch
proclaimed:  Indeed, ’tis a wholesome victual and

added it to the available proof of God’s preferment.

Michael Derrick Hudson (Wabash, 1963)


Zie voor nog meer schrijvers van de 9e november ook mijn blog van 9 november 2017 en ook mijn blog van 9 november 2014 deel 1 en eveneens deel 2.

Ivan Toergenjev, Jens Christian Grøndahl, Erika Mann, Jan Decker, Roger McGough, Anne Sexton, Mohammed Iqbal, Karin Kiwus, Michael Derrick Hudson

De Russische schrijver Ivan Sergejevitsj Toergenjev werd geboren op 9 november 1818 in Orjol, in de Oekraïne. Zie ook mijn blog van 9 november 2010 en eveneens alle tags voor Ivan Toergenjev op dit blog.

Uit: A House of Gentlefolk (Vertaald door Constance Garnett)

“A bright spring day was fading into evening. High overhead in the clear heavens small rosy clouds seemed hardly to move across the sky but to be sinking into its depths of blue.
In a handsome house in one of the outlying streets of the government town of O—— (it was in the year 1842) two women were sitting at an open window; one was about fifty, the other an old lady of seventy.
The name of the former was Marya Dmitrievna Kalitin. Her husband, a shrewd determined man of obstinate bilious temperament, had been dead for ten years. He had been a provincial public prosecutor, noted in his own day as a successful man of business. He had received a fair education and had been to the university; but having been born in narrow circumstances he realised early in life the necessity of pushing his own way in the world and making money. It had been a love-match on Marya Dmitrievna’s side. He was not bad-looking, was clever and could be very agreeable when he chose. Marya Dmitrievna Pestov—that was her maiden name—had lost her parents in childhood. She spent some years in a boarding-school in Moscow, and after leaving school, lived on the family estate of Pokrovskoe, about forty miles from O——, with her aunt and her elder brother. This brother soon after obtained a post in Petersburg, and made them a scanty allowance. He treated his aunt and sister very shabbily till his sudden death cut short his career. Marya Dmitrievna inherited Pokrovskoe, but she did not live there long. Two years after her marriage with Kalitin, who succeeded in winning her heart in a few days, Pokrovskoe was exchanged for another estate, which yielded a much larger income, but was utterly unattractive and had no house. At the same time Kalitin took a house in the town of O——, in which he and his wife took up their permanent abode. There was a large garden round the house, which on one side looked out upon the open country away from the town.
‘And so,’ decided Kalitin, who had a great distaste for the quiet of country life, ‘there would be no need for them to he dragging themselves off into the country.’ In her heart Marya Dmitrievna more than once regretted her pretty Pokrovskoe, with its babbling brook, its wide meadows, and green copses; but she never opposed her husband in anything and had the greatest veneration for his wisdom and knowledge of the world. When after fifteen years of married life he died leaving her with a son and two daughters, Marya Dmitrievna had grown so accustomed to her house and to town life that she had no inclination to leave O——”

Ivan Toergenjev (9 november 1818 – 3 september 1883)

Doorgaan met het lezen van “Ivan Toergenjev, Jens Christian Grøndahl, Erika Mann, Jan Decker, Roger McGough, Anne Sexton, Mohammed Iqbal, Karin Kiwus, Michael Derrick Hudson”

Ivan Toergenjev, Jens Christian Grøndahl, Erika Mann, Jan Decker, Roger McGough, Anne Sexton, Michael Derrick Hudson

De Russische schrijver Ivan Sergejevitsj Toergenjev werd geboren op 9 november 1818 in Orjol, in de Oekraïne. Zie ook mijn blog van 9 november 2010 en eveneens alle tags voor Ivan Toergenjev op dit blog.

Uit: Fathers and sons (vertaling Richard Hare)

“The peasants have given me a lot of trouble this year,” went on Nikolai Petrovich, turning to his son. “They won’t pay their rent. What is one to do?”
“And are you satisfied with your hired laborers?”
“Yes,” said Nikolai Petrovich between his teeth. “But they’re being set against me, that’s the worst of it, and they don’t really work properly; they spoil the tools. However, they’ve managed to plough the land. We shall manage somehow–there will be enough flour to go round. Are you starting to be interested in agriculture?”
“What a pity you have no shade,” remarked Arkady, without answering the last question.
“I have had a big awning put up on the north side over the veranda,” said Nikolai Petrovich; “now we can even have dinner in the open air.”
“Won’t it be rather too like a summer villa? . . . But that’s a minor matter. What air there is here! How wonderful it smells. Really it seems to me no air in the world is so sweetly scented as here! And the sky too . . .” Arkady suddenly stopped, cast a quick look behind him and did not finish his sentence.
“Naturally,” observed Nikolai Petrovich, “you were born here, so everything is bound to strike you with a special—-”
“Really, Daddy, it makes absolutely no difference where a person is born.”
“No, it makes no difference at all.”
Nikolai Petrovich glanced sideways at his son, and the carriage went on half a mile farther before their conversation was renewed.
“I forget if I wrote to you,” began Nikolai Petrovich, “that your old nurse Yegorovna has died.”
“Really? Poor old woman! And is Prokovich still alive?”
“Yes, and not changed a bit. He grumbles as much as ever. Indeed, you won’t find many changes at Maryino.”
“Have you still the same bailiff?”
“Well, I have made a change there. I decided it was better not to keep around me any freed serfs who had been house servants; at least not to entrust them with any responsible jobs.” Arkady glanced towards Pyotr. “Il est libre en effet,” said Nikolai Petrovich in an undertone, “but as you see, he’s only a valet. My new bailiff is a townsman–he seems fairly efficient. I pay him 250 rubles a year. But,” added Nikolai Petrovich, rubbing his forehead and eyebrows with his hand (which was always with him a sign of embarrassment), “I told you just now you would find no changes at Maryino, . . . That’s not quite true . . . I think it my duty to tell you in advance, though . . . .”

Ivan Toergenjev (9 november 1818 – 3 september 1883)
Toergenjev als jager. Portret door Nikolai Dmitriev-Orenburgsky, 1879

Doorgaan met het lezen van “Ivan Toergenjev, Jens Christian Grøndahl, Erika Mann, Jan Decker, Roger McGough, Anne Sexton, Michael Derrick Hudson”

Ivan Toergenjev, Erika Mann, Jens Christian Grøndahl, Jan Decker, Roger McGough, Anne Sexton

De Russische schrijver Ivan Sergejevitsj Toergenjev werd geboren op 9 november 1818 in Orjol, in de Oekraïne. Zie ook mijn blog van 9 november 2010 en eveneens alle tags voor Ivan Toergenjev op dit blog.

Uit: Virgin Soil (Vertaald door R. S. Townsend)

“At one o’clock in the afternoon of a spring day in the year 1868, a young man of twenty-seven, carelessly and shabbily dressed, was toiling up the back staircase of a five-storied house on Officers Street in St. Petersburg. Noisily shuffling his down-trodden goloshes and slowly swinging his heavy, clumsy figure, the man at last reached the very top flight and stopped before a half-open door hanging off its hinges. He did not ring the bell, but gave a loud sigh and walked straight into a small, dark passage.
“Is Nejdanov at home?” he called out in a deep, loud voice.
“No, he’s not. I’m here. Come in,” an equally coarse woman’s voice responded from the adjoining room.
“Is that Mashurina?” asked the newcomer.
“Yes, it is I. Are you Ostrodumov?
“Pemien Ostrodumov,” he replied, carefully removing his goloshes, and hanging his shabby coat on a nail, he went into the room from whence issued the woman’s voice.
It was a narrow, untidy room, with dull green coloured walls, badly lighted by two dusty windows. The furnishings consisted of an iron bedstead standing in a corner, a table in the middle, several chairs, and a bookcase piled up with books. At the table sat a woman of about thirty. She was bareheaded, clad in a black stuff dress, and was smoking a cigarette. On catching sight of Ostrodumov she extended her broad, redhand without a word. He shook it, also without saying anything, dropped into a chair and pulled a half-broken cigar out of a side pocket. Mashurina gave him a light, and without exchanging a single word, or so much as looking at one another, they began sending out long, blue puffs into the stuffy room, already filled with smoke.
There was something similar about these two smokers, al- though their features were not a bit alike. In these two slov- enly figures, with their coarse lips, teeth, and nose.
Ostrodumov was even pock-marked), there was something honest and firm and persevering.
“Have you seen Nejdanov?” Ostrodumov asked.
“Yes. He will be back directly. He has gone to the library with some books.”

Ivan Toergenjev (9 november 1818 – 3 september 1883)
Portret door Vasily Perov, 1872

Doorgaan met het lezen van “Ivan Toergenjev, Erika Mann, Jens Christian Grøndahl, Jan Decker, Roger McGough, Anne Sexton”

Jens Christian Grøndahl

De Deense schrijver Jens Christian Grøndahl werd geboren in Lyngby op 9 november 1959. Grøndahl studeerde filosofie van 1977 tot 1979. Zijn eerste boek, het realistisch geschreven “Kvinden i midten”, verscheen in 1985. Daarna volgden met regelmatige intervallen een vijftiental andere romans. Hij schreef daarnaast echter ook essays, toneelstukken en teksten voor de radio. Liefde, en de relaties van moderne koppels, vormen de leidende thema’s in zijn werk, dat in binnen- en buitenland werd genomineerd voor, en bekroond met verschillende literaire prijzen. Zo ontving hij onder meer De Gyldne Laurbær voor zijn roman “Lucca” (in 1999) en stond hij met zijn boek “An altered light” in 2006 op de shortlist voor de International IMPAC Dublin Literary Award.

Uit:An Altered Light (Vertaald door Anne Born)

“The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn’t want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods.
He hadn’t stirred when she rose, and she’d already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They’ll have to talk about it, of course, but neither of them seems able to find the right words, the right moment.”

Jens Christian Grøndahl (Lyngby, 9 november 1959)