Onafhankelijk van geboortedata
De Amerikaanse schrijfster Emma Cline werd geboren in 1989 in Sonoma in Californië, waar zij met met vijf broers en zussen opgroeide. Haar BA behaalde zij aan het Middlebury College in Vermont en twee jaar later kreeg zij een studiebeurs voor de prestigieuze Bread Loaf Writers ‘ Conference. Zij voltooide haar studie met de graad Master of Fine Arts aan de Columbia University in Manhattan, New York. Daarna verhuisde Cline naar Brooklyn, waar ze nog steeds woont en werkt. Ze schrijft voor het blad `O` van Oprah Winfrey en The New Yorker. Haar eerste publicatie `Marion` werd in 2014 bekroond. In 2016 publiceerde zij haar eerste roman `The Girls` in het Engels en Duits. Het manuscript van “The Girls” zou, terwijl zij er nog aan werkte, uitgroeien tot een fel begeerd item en leverde haar, zo gaan de geruchten, 2 miljoen dollar op bij Random House.
Uit: The Girls
“I looked up because of the laughter, and kept looking because of the girls.
I noticed their hair first, long and uncombed. Then their jewelry catching the sun. The three of them were far enough away that I saw only the periphery of their features, but it didn’t matter—I knew they were different from everyone else in the park. Families milling in a vague line, waiting for sausages and burgers from the open grill. Women in checked blouses scooting into their boyfriends’ sides, kids tossing eucalyptus buttons at the feral-looking chickens that overran the strip. These long-haired girls seemed to glide above all that was happening around them, tragic and separate. Like royalty in exile.
I studied the girls with a shameless, blatant gape: it didn’t seem possible that they might look over and notice me. My hamburger was forgotten in my lap, the breeze blowing in minnow stink from the river. It was an age when I’d immediately scan and rank other girls, keeping up a constant tally of how I fell short, and I saw right away that the black-haired one was the prettiest. I had expected this, even before I’d been able to make out their faces. There was a suggestion of otherworldliness hovering around her, a dirty smock dress barely covering her ass. She was flanked by a skinny redhead and an older girl, dressed with the same shabby afterthought. As if dredged from a lake. All their cheap rings like a second set of knuckles. They were messing with an uneasy threshold, prettiness and ugliness at the same time, and a ripple of awareness followed them through the park. Mothers glancing around for their children, moved by some feeling they couldn’t name. Women reaching for their boyfriends’ hands. The sun spiked through the trees, like always—the drowsy willows, the hot wind gusting over the picnic blankets—but the familiarity of the day was disturbed by the path the girls cut across the regular world. Sleek and thoughtless as sharks breaching the water.
It was the end of the sixties, or the summer before the end, and that’s what it seemed like, an endless, formless summer. The Haight populated with white-garbed Process members handing out their oat-colored pamphlets, the jasmine along the roads that year blooming particularly heady and full. Everyone was healthy, tan, and heavy with decoration, and if you weren’t, that was a thing, too—you could be some moon creature, chiffon over the lamp shades, on a kitchari cleanse that stained all your dishes with turmeric.“
Emma Cline (Sonoma, 1989)